In his 1998 article about the AVN Awards, "Big Red Son," which initially ran in Premiere and opens his essay collection Consider the Lobster, David Foster Wallace refers to the then-new Luxor1 as an instance of late-’90s slicing-edge Las Vegas postmodernist theme-park-itecture. That distinctly askew wholesomeness built MacLachlan a all-natural to develop into famed as the alter ego of twisted director David Lynch.