Fitting into a middle floor of sensibilities among occupational comedies like NewsRadio and the sly navel-gazing of Dead Like Me, The Good Place is the exceptional display that is absolutely upfront about its primary character’s flaws, producing a moral playground that exams Eleanor’s worst impulses at every single convert. Ignoring such epithets as ``Patsy Pink,'' she gained a scant 2 per cent of the vote--and the moral substantial floor.