While not a large professional success, mentioned music critic Timothy Duggan mentioned it as "Townshend's most genuine and introspective perform because Quadrophenia." Through the rest of the 1980s and early nineties Townshend would yet again experiment with the rock opera and related formats, releasing numerous story-based mostly albums together with White City: A Novel (1985), The Iron Man: A Musical (1989), and Psychoderelict (1993).