Scariest of all is Kirby who, in restricted proximity with Leon’s camera (guided by his 3rd cinematographer in as numerous films, Brett Jutkiewicz), in some way conveys Alina’s blackout by carrying out as tiny emoting as attainable. There’s an unexpectedly heartbreaking cosmic cruelty to the sequence absent in Leon’s other films, although the cruelty is a byproduct of Alina’s stupor and not the intent.